Exam 8: The Musical Stage: Opera, Musical Theater, Dance

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How does a musical comedy different from a musical?

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Musical comedies feature songs that often have little to do with the plot or dialogue whereas musicals present songs that spring from the situations it depicts.

Choose an example of classical opera and an example of late twentieth-century musical theater. Using these examples, discuss three points of comparison. State whether the two genres are more alike or different. I. Choose one example of classical opera and one from musical theater. II. Identify three points on which to compare the two works. III. Explain the similarity or difference between the two on each point. IV. State if the two genres are more alike or different.

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I. An example of classical opera is "The Marriage of Figaro" by Wolfgang Amadeus Mozart, and an example of late twentieth-century musical theater is "Les Misérables" by Claude-Michel Schönberg.

II. Three points of comparison between the two works are the use of singing as the primary mode of storytelling, the use of orchestral accompaniment, and the themes and subject matter of the stories.

III. Both "The Marriage of Figaro" and "Les Misérables" heavily rely on singing to convey the story and emotions of the characters. In both works, the orchestra plays a significant role in setting the mood and enhancing the storytelling. However, the themes and subject matter of the two works differ, with "The Marriage of Figaro" focusing on comedic and romantic elements, while "Les Misérables" delves into themes of revolution, redemption, and sacrifice.

IV. Classical opera and late twentieth-century musical theater are more alike in their use of singing and orchestral accompaniment to convey the story, but they are different in terms of their themes and subject matter.

Overall, while both genres share similarities in their use of music and singing, they also have distinct differences in their storytelling and thematic elements.

The choreographer who started a dance company to expand professional opportunities for African-American dancers was

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A

The composer who brought the operetta to prominence is

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Using examples and discussion from the chapter, explain how modern dance compares with ballet. Discuss whether the two are more similar or different. I. Identify important characteristics from ballet and modern dance. II. Explain those features using examples of ballet or modern dance discussed in the chapter. III. Compare the two forms based on those features. IV. State if the two genres are more alike or different.

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The technique in opera in which the characters sing through lines that would usually be spoken is called

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A dialogue-heavy work that integrates music and story is called a(n)

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What is a leit-motif?

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What is a spectacular?

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Which important musical by Leonard Bernstein and Stephen Sondheim updates Romeo and Juliet to highlight racial tensions in New York City?

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Which Romantic composer wrote the musical scores for Rigoletto and La traviata?

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What is a powwow?

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The form of musical art that uses dialogue mainly to bridge songs and has characters that are often two-dimensional is called

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The late-Renaissance form of art that combined playwright, composer, chorus, singers, and dancers is

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Of the musical Pal Joey, it might be said that its creators

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Discuss how Pal Joey, Porgy and Bess, and Oklahoma! were important transitional works for Broadway theater. I. Explain how Pal Joey is a musical play with dark themes and an untraditional hero. II. Explain how Porgy and Bess uses folk themes in a genuine opera. III. Explain how Oklahoma! shows that less grand or flashy material can appeal to audiences.

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The modern choreographer of Rites of Spring and Appalachian Spring who broke with traditions of dance (such as the one through eight count) was

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The opera technique of presenting continuous music and singing punctuated by arias was pioneered in the seventeenth century by

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Choose four examples: two from early musical theater and two from later. Use the examples to analyze how musical theater in the late twentieth century and beyond compares with musical theater from an earlier time. I. Choose four examples, two early (such as Pal Joey, Oklahoma!, or Porgy and Bess) and two later (such as Sweeney Todd, Wicked, or West Side Story). II. Identify the main features of modern musicals and the main features of early musical theater. III. Compare those features using evidence from the works chosen.

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The written lyrics of an opera are referred to as a

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