Exam 28: Art of Pacific Cultures
How does Shigeyuki Kihara challenge typical gender roles in Ulugali'i Samoa: Samoan Couple ?
She poses as both the bare-breasted woman and the emasculated noble man.She blurs stereotypes and asks the viewer to question reality.
Discuss the role of the Maori Meeting House,including its iconography.
1.They began to build wooden-frame homes,the largest of which,the chief's house,evolved after Western contact into the meeting house.
2.The meeting house stands on an open plaza,a sacred place where a Maori tribe or subtribe still greets guests to discuss important issues and mourn.
3.The iconography of the house is based on the human form.The ridgepole is the backbone,the rafters are the ribs,and the slanting bargeboards are the outstretched enfolding arms.
4.Painted curvilinear patterns decorate the rafters in white on a red-and-black background and lattice panels fill the spaces between the wall planks.
Among New Guinea and its neighboring islands,there are more than 700
A
In the Wahgi tribe of New Guinea,loosely woven netted work bags called bilum indicate .
The Feather Cloak,or Kearny Cloak has a foundation made from
Although today some Asmat bisj poles are sold to outsiders,traditionally they were
Which Micronesian site known for its extensive architectural complex had been abandoned before Europeans discovered it in the nineteenth century?
Why were the visual arts of the Pacific cultures connected to music,dance,and oral literature?
How has the production of bark cloth changed in modern times?
What symbolized the female womb in korambo spirit houses of the Abelam culture?
The structure of the Maori meeting house (whare nui)stands on an open plaza called a
Which of the following was prized in New Zealand and considered to have sacred powers?
In the Maori culture the poupou is used for what architectural purpose on a meeting house?
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