Exam 18: From Modernism to Postmodernism and Beyond
Exam 1: Introduction Understanding the Arts63 Questions
Exam 2: The Ancient World63 Questions
Exam 3: The Aegean and Archaic Greece63 Questions
Exam 4: Greek Classicism and Hellenism63 Questions
Exam 5: The Roman Period63 Questions
Exam 6: Judaism and Early Christianity63 Questions
Exam 7: Byzantium and Islam63 Questions
Exam 8: The Early Middle Ages63 Questions
Exam 9: The High Middle Ages63 Questions
Exam 10: The Early Renaissance63 Questions
Exam 11: The High Renaissance and Mannerism63 Questions
Exam 12: Renaissance and Reformation in Northern Europe63 Questions
Exam 13: The Baroque Age63 Questions
Exam 14: The Enlightenment63 Questions
Exam 15: The Romantic Age63 Questions
Exam 16: Realism, Impressionism, and Beyond63 Questions
Exam 17: Modernism64 Questions
Exam 18: From Modernism to Postmodernism and Beyond64 Questions
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The composer __________ employed serial technique in his Philomel.
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Various notions of "liberation" or resistance are prominent in postwar art forms,a legacy of prewar Dada,in particular.Using one or more examples of postwar art,analyze how the work proposes a target for resistance (male domination,racial inequality,even "restrictive" traditional musical conventions)and how it critiques it.Be sure to include both artistic form (such as design and composition)and content (the overall "meaning" or meanings conveyed by the piece)in your analysis.
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A close associate of John Cage,the dancer __________ incorporated chance,or aleatory,elements into his work.
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Absolute freedom and individuality were assumptions of __________ painters in the postwar period.
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