Question 1

In cinematography,"mask" refers to

Accepted Answer

A) a technique used to change the shape of the frame. 
B) a filter placed over the lens to change the color of the scene. 
C) the case placed around the camera to muffle its noise for sound filming. 
D) shades used to keep sunlight from creating lens flares. 
A) a technique used to change the shape of the frame. 
B) a filter placed over the lens to change the color of the scene. 
C) the case placed around the camera to muffle its noise for sound filming. 
D) shades used to keep sunlight from creating lens flares.

Question 2

Which of the following is NOT a standard term for a type of mobile framing?

Accepted Answer

A) Tilt 
B) Crane 
C) Pan 
D) Glide 
A) Tilt 
B) Crane 
C) Pan 
D) Glide

Question 3

Slices of glass or gelatin placed in front of the lens of a camera to prevent certain frequencies of light from reaching the film are called

Accepted Answer

A) toners. 
B) blockers. 
C) exposures. 
D) filters. 
A) toners. 
B) blockers. 
C) exposures. 
D) filters.

Question 4

Which of the following is NOT true of an extreme close-up?

Accepted Answer

A) It singles out one portion of a character's face. 
B) It focuses on a character from the waist up. 
C) It isolates an object. 
D) It magnifies an object. 
A) It singles out one portion of a character's face. 
B) It focuses on a character from the waist up. 
C) It isolates an object. 
D) It magnifies an object.

Question 5

"Depth of field" refers to

Accepted Answer

A) the distance the actors have to be from the camera to prevent their heads from going out of the frame. 
B) the distance from the camera to the back wall of the set. 
C) the range of distances from the lens in which objects filmed will be in focus. 
D) how large objects appear within the frame. 
A) the distance the actors have to be from the camera to prevent their heads from going out of the frame. 
B) the distance from the camera to the back wall of the set. 
C) the range of distances from the lens in which objects filmed will be in focus. 
D) how large objects appear within the frame.

Question 6

The speed of motion presented on-screen depends on

Accepted Answer

A) the number of frames per second of celluloid used. 
B) the rate of projection alone. 
C) the rate of shooting and the rate of projection. 
D) frame size and shape. 
A) the number of frames per second of celluloid used. 
B) the rate of projection alone. 
C) the rate of shooting and the rate of projection. 
D) frame size and shape.

Question 7

The form of Michael Snow's Wavelength is structured around which type of mobile framing?

Accepted Answer

A) Slow tracking shots through an abandoned loft 
B) Rhythmic panning to catch the reactions of a crowd 
C) A series of slow craning shots on a beach 
D) An irregular series of zoom-ins across a room 
A) Slow tracking shots through an abandoned loft 
B) Rhythmic panning to catch the reactions of a crowd 
C) A series of slow craning shots on a beach 
D) An irregular series of zoom-ins across a room

Question 8

Action involving digital special effects must be shot in front of a blue or green screen.

Accepted Answer

A) True 
 B)False

Question 9

If a wide-angle lens and a telephoto lens photograph the same scene,the perspective relations in the images they capture will likely be the same.

Accepted Answer

A) True 
 B)False

Question 10

A long-focal-length lens tends to squash the planes of action together,reducing the impression of depth.

Accepted Answer

A) True 
 B)False

Question 11

"Racking focus" refers to adjusting the camera to change the plane that is in focus.

Accepted Answer

A) True 
 B)False

Question 12

"Reframing" refers to

Accepted Answer

A) taking one lens off the camera and putting on another with a different focal length. 
B) moving the camera forward after the master shot has been filmed,in order to get closer views. 
C) making short pans or tilts to keep the composition balanced. 
D) inserting hard mattes into the camera to achieve widescreen aspect ratios. 
A) taking one lens off the camera and putting on another with a different focal length. 
B) moving the camera forward after the master shot has been filmed,in order to get closer views. 
C) making short pans or tilts to keep the composition balanced. 
D) inserting hard mattes into the camera to achieve widescreen aspect ratios.

In cinematography,"mask" refers to

Which of the following is NOT a standard term for a type of mobile framing?

Slices of glass or gelatin placed in front of the lens of a camera to prevent certain frequencies of light from reaching the film are called

Which of the following is NOT true of an extreme close-up?

"Depth of field" refers to

The speed of motion presented on-screen depends on

The form of Michael Snow's Wavelength is structured around which type of mobile framing?

Action involving digital special effects must be shot in front of a blue or green screen.

If a wide-angle lens and a telephoto lens photograph the same scene,the perspective relations in the images they capture will likely be the same.

A long-focal-length lens tends to squash the planes of action together,reducing the impression of depth.

"Racking focus" refers to adjusting the camera to change the plane that is in focus.

"Reframing" refers to

Film As Art

The Significance of Film Form

Narrative Form

The Shot- Mise-EN-Scene

The Relation of Shot to Shot- Editing

Sound in the Cinema

Summary- Style and Film Form

Film Genres

Documentary, Experimental, and Animated Films

Historical Changes in Film Art

Filters

Exam 5: The Shot- Cinema-to-Graphy

In cinematography,"mask" refers to

Which of the following is NOT a standard term for a type of mobile framing?

Slices of glass or gelatin placed in front of the lens of a camera to prevent certain frequencies of light from reaching the film are called

Which of the following is NOT true of an extreme close-up?

"Depth of field" refers to

The speed of motion presented on-screen depends on

The form of Michael Snow's Wavelength is structured around which type of mobile framing?

Action involving digital special effects must be shot in front of a blue or green screen.

If a wide-angle lens and a telephoto lens photograph the same scene,the perspective relations in the images they capture will likely be the same.

A long-focal-length lens tends to squash the planes of action together,reducing the impression of depth.

"Racking focus" refers to adjusting the camera to change the plane that is in focus.

"Reframing" refers to

Film As Art

The Significance of Film Form

Narrative Form

The Shot- Mise-EN-Scene

The Relation of Shot to Shot- Editing

Sound in the Cinema

Summary- Style and Film Form

Film Genres

Documentary, Experimental, and Animated Films

Historical Changes in Film Art

Filters