Question 1

In an extreme long shot,a human figure appears tiny or is lost to view.

Accepted Answer

A) True 
 B)False

Question 2

In a crane shot,the camera moves

Accepted Answer

A) in any direction along the ground. 
B) above the ground level. 
C) diagonally. 
D) in circles. 
A) in any direction along the ground. 
B) above the ground level. 
C) diagonally. 
D) in circles.

Question 3

The most realistic type of special effect is superimposition.

Accepted Answer

A) True 
 B)False

Question 4

Which of the following statements is NOT true concerning Peter Jackson's use of computer-generated imagery in The Lord of the Rings trilogy?

Accepted Answer

A) It was used to create portions of the mise-en-scene. 
B) It was used to create characters with individual artificial intelligence. 
C) It was used to create digital stunt doubles for actors. 
D) It was used mainly to create vast crowds of soldiers. 
A) It was used to create portions of the mise-en-scene. 
B) It was used to create characters with individual artificial intelligence. 
C) It was used to create digital stunt doubles for actors. 
D) It was used mainly to create vast crowds of soldiers.

Question 5

Which of the following is NOT affected by the focal length of the camera lens?

Accepted Answer

A) Magnification 
B) Depth 
C) Scale 
D) Aspect ratio 
A) Magnification 
B) Depth 
C) Scale 
D) Aspect ratio

Question 6

Rear projection seldom creates convincing depth cues in the frame.

Accepted Answer

A) True 
 B)False

Question 7

Tinting and toning are

Accepted Answer

A) printing techniques used to correct flaws in an image's color. 
B) makeup used to adjust skin tones to suit the color balance of the film stock. 
C) methods of using filters to change the color of the light on the set. 
D) methods for using dyes used to add color to black-and-white film. 
A) printing techniques used to correct flaws in an image's color. 
B) makeup used to adjust skin tones to suit the color balance of the film stock. 
C) methods of using filters to change the color of the light on the set. 
D) methods for using dyes used to add color to black-and-white film.

Question 8

Which group of filmmakers is typically associated with the long take?

Accepted Answer

A) Orson Welles,Kenji Mizoguchi,Andy Warhol,and Gus van Sant 
B) Howard Hawks,Buster Keaton,Robert Bresson,and Louis Lumière 
C) Georges Méliès,Akira Kurosawa,Abel Gance,and Sergei Eisenstein 
D) Erich von Stroheim,Samuel Fuller,Alain Resnais,and Richard Lester 
A) Orson Welles,Kenji Mizoguchi,Andy Warhol,and Gus van Sant 
B) Howard Hawks,Buster Keaton,Robert Bresson,and Louis Lumière 
C) Georges Méliès,Akira Kurosawa,Abel Gance,and Sergei Eisenstein 
D) Erich von Stroheim,Samuel Fuller,Alain Resnais,and Richard Lester

Question 9

Wide-angle lenses are also referred to as "telephoto" lenses.

Accepted Answer

A) True 
 B)False

Question 10

In a canted camera position,objects on the screen appear

Accepted Answer

A) upside down. 
B) not to be level. 
C) as seen from directly above. 
D) as seen at ground level. 
A) upside down. 
B) not to be level. 
C) as seen from directly above. 
D) as seen at ground level.

Question 11

A zoom lens allows filmmakers to magnify or minimize objects without changing perspective relationships in the shot.

Accepted Answer

A) True 
 B)False

Question 12

Deep-focus cinematography was popularized in 1940s in part by

Accepted Answer

A) Gone with the Wind. 
B) The Crime of M.Lange. 
C) The Wizard of Oz. 
D) Citizen Kane. 
A) Gone with the Wind. 
B) The Crime of M.Lange. 
C) The Wizard of Oz. 
D) Citizen Kane.

Question 13

Slow motion is achieved by decreasing the number of frames per second shot.

Accepted Answer

A) True 
 B)False

Question 14

Which of the following is NOT a type of composite filming?

Accepted Answer

A) Matte 
B) Rear projection 
C) Racking 
D) Front projection 
A) Matte 
B) Rear projection 
C) Racking 
D) Front projection

Question 15

"Perspective" refers to a set of spatial relations around a particular viewing point.

Accepted Answer

A) True 
 B)False

Question 16

A central characteristic of the cinematography in Jean Renoir's Grand Illusion is

Accepted Answer

A) long takes with a nearly static camera and complex staging in depth. 
B) frequent tracking shots that emphasize significant details in the mise-en-scene. 
C) innovative use of the zoom shot in almost every scene. 
D) almost constant craning shots. 
A) long takes with a nearly static camera and complex staging in depth. 
B) frequent tracking shots that emphasize significant details in the mise-en-scene. 
C) innovative use of the zoom shot in almost every scene. 
D) almost constant craning shots.

Question 17

Digital grading allows for altering the color of shots in postproduction.

Accepted Answer

A) True 
 B)False

Question 18

Today telephoto lenses,sometimes called long lenses,are usually at least 100 mm in length.

Accepted Answer

A) True 
 B)False

Question 19

Viewers are most aware of off-screen space when

Accepted Answer

A) it creates surprise or suspense. 
B) a character looks or gestures at something happening off-screen. 
C) a character is unaware of what is happening off-screen. 
D) it has been shown several times in the film. 
A) it creates surprise or suspense. 
B) a character looks or gestures at something happening off-screen. 
C) a character is unaware of what is happening off-screen. 
D) it has been shown several times in the film.

Question 20

A moving circular mask that opens to reveal a scene or that closes to conceal a scene is called

Accepted Answer

A) an eye mask. 
B) a lens. 
C) a filter. 
D) an iris. 
A) an eye mask. 
B) a lens. 
C) a filter. 
D) an iris.

In an extreme long shot,a human figure appears tiny or is lost to view.

In a crane shot,the camera moves

The most realistic type of special effect is superimposition.

Which of the following statements is NOT true concerning Peter Jackson's use of computer-generated imagery in The Lord of the Rings trilogy?

Which of the following is NOT affected by the focal length of the camera lens?

Rear projection seldom creates convincing depth cues in the frame.

Tinting and toning are

Which group of filmmakers is typically associated with the long take?

Wide-angle lenses are also referred to as "telephoto" lenses.

In a canted camera position,objects on the screen appear

A zoom lens allows filmmakers to magnify or minimize objects without changing perspective relationships in the shot.

Deep-focus cinematography was popularized in 1940s in part by

Slow motion is achieved by decreasing the number of frames per second shot.

Which of the following is NOT a type of composite filming?

"Perspective" refers to a set of spatial relations around a particular viewing point.

A central characteristic of the cinematography in Jean Renoir's Grand Illusion is

Digital grading allows for altering the color of shots in postproduction.

Today telephoto lenses,sometimes called long lenses,are usually at least 100 mm in length.

Viewers are most aware of off-screen space when

A moving circular mask that opens to reveal a scene or that closes to conceal a scene is called

Film As Art

The Significance of Film Form

Narrative Form

The Shot- Mise-EN-Scene

The Relation of Shot to Shot- Editing

Sound in the Cinema

Summary- Style and Film Form

Film Genres

Documentary, Experimental, and Animated Films

Historical Changes in Film Art

Filters

Exam 5: The Shot- Cinema-to-Graphy

In an extreme long shot,a human figure appears tiny or is lost to view.

In a crane shot,the camera moves

The most realistic type of special effect is superimposition.

Which of the following statements is NOT true concerning Peter Jackson's use of computer-generated imagery in The Lord of the Rings trilogy?

Which of the following is NOT affected by the focal length of the camera lens?

Rear projection seldom creates convincing depth cues in the frame.

Tinting and toning are

Which group of filmmakers is typically associated with the long take?

Wide-angle lenses are also referred to as "telephoto" lenses.

In a canted camera position,objects on the screen appear

A zoom lens allows filmmakers to magnify or minimize objects without changing perspective relationships in the shot.

Deep-focus cinematography was popularized in 1940s in part by

Slow motion is achieved by decreasing the number of frames per second shot.

Which of the following is NOT a type of composite filming?

"Perspective" refers to a set of spatial relations around a particular viewing point.

A central characteristic of the cinematography in Jean Renoir's Grand Illusion is

Digital grading allows for altering the color of shots in postproduction.

Today telephoto lenses,sometimes called long lenses,are usually at least 100 mm in length.

Viewers are most aware of off-screen space when

A moving circular mask that opens to reveal a scene or that closes to conceal a scene is called

Film As Art

The Significance of Film Form

Narrative Form

The Shot- Mise-EN-Scene

The Relation of Shot to Shot- Editing

Sound in the Cinema

Summary- Style and Film Form

Film Genres

Documentary, Experimental, and Animated Films

Historical Changes in Film Art

Filters