Exam 11: Social Context and Film Style:National, International, andTransnational Cinema
Exam 1: Introduction15 Questions
Exam 2: An Approach to Film Analysis46 Questions
Exam 3: Writing About Film48 Questions
Exam 4: Narrative Form42 Questions
Exam 5: Mise en Scène45 Questions
Exam 6: Cinematography99 Questions
Exam 7: Editing57 Questions
Exam 8: Sound59 Questions
Exam 9: Alternatives to Narrative Fiction Film:Documentary and Avant-garde Films 46 Questions
Exam 10: Film and Ideology42 Questions
Exam 11: Social Context and Film Style:National, International, andTransnational Cinema42 Questions
Exam 12: Film Stardom As a Cultural Phenomenon40 Questions
Exam 13: Genre47 Questions
Exam 14: Film Authorship41 Questions
Exam 15: Cinema As Industry: Economics and Technology42 Questions
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Which of the following was prohibited by the MPPDA's "Don'ts and Be Carefuls" list (which preceded the Production Code)?
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(Multiple Choice)
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D
Explain the concept of "compartmentalization," and discuss how this manufacturing concept shaped Hollywood.
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(Essay)
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Responses should discuss the rapid output of film and the standardization of film style.
Explain how Hollywood dominates international cinema,not just in terms of profitability but in terms of style as well.
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(Essay)
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Responses should touch on the idea Hollywood's textual norms have informed the expectations and viewing experiences of most viewers.
The international success of Pather Panchali surprised those in the Indian film industry because insiders didn't expect the so-called masala film to have any appeal outside India.
(True/False)
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The term "Third Cinema" loosely refers to cinema movements emerging from Europe's former colonies in Africa,Asia,and Latin America.
(True/False)
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Pather Panchali was a ground breaking art film from ____________________.
(Multiple Choice)
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Fourth Cinema is a term coined by Maori filmmaker and theorist Barry Barclay to describe the filmmaking practices of
(Multiple Choice)
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Since the 1920s ________ has dominated the international film market.
(Multiple Choice)
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The Production Code linked Catholic doctrine to Hollywood's formula.
(True/False)
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Hollywood studios would rely on the Production Code to justify cutting out content that might be controversial overseas.
(True/False)
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Classical Hollywood films privilege ________ over other sounds.
(Multiple Choice)
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Explain how either Whale Rider or Smoke Signals reflects Fourth Cinema's interest in the "tension between competing national allegiances."
(Essay)
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Filmmakers ventured to California in the early 1900s because ________.
(Multiple Choice)
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In BreathlessBreathless,director Jean-Luc Godard uses ________ to visibly interrupt time,even though the song the character is singing remains intact and unaffected on the soundtrack.
(Multiple Choice)
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Because many of the international film productions received government financing,the filmmakers were not influenced or motivated to make a profit as their counterparts in Hollywood were.
(True/False)
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Cinematography in classical Hollywood style often uses exaggerated angles or flamboyant movement that draw attention to the films' glamorous,epic sensibility.
(True/False)
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New York City was the center of commercial filmmaking until the 1950s.
(True/False)
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The only element of classical Hollywood style films that the international art cinema movement kept was the goal-oriented central character.
(True/False)
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