Question 1

______________evolved from a mastaba.

Accepted Answer

A)  Post and lintel 
B)  Cartouche 
C)  Ka sculptures 
D)  Step pyramids 
A)  Post and lintel 
B)  Cartouche 
C)  Ka sculptures 
D)  Step pyramids

Question 2

Hatshepsut is usually shown with male attributes such as a kilt, a beard and a bare, flat chest because:

Accepted Answer

A)  kingship was defined as a male office. 
B)  Hatshepsut was a man. 
C)  the new monotheistic religion dictated it. 
D)  Hatshepsut's real identity was a secret. 
A)  kingship was defined as a male office. 
B)  Hatshepsut was a man. 
C)  the new monotheistic religion dictated it. 
D)  Hatshepsut's real identity was a secret.

Question 3

The Nile, Tigris, and Euphrates Rivers define and divide the Egyptian landscape.

Accepted Answer

A) True 
 B)False

Question 4

All eras of Egyptian religion were monotheistic.

Accepted Answer

A) True 
 B)False

Question 5

Tutankhamun carried on the religious devotions of his predecessor Akhenaten.

Accepted Answer

A) True 
 B)False

Question 6

Akhenaten:

Accepted Answer

A)  worshipped in the supreme deity, Osiris. 
B)  was half brother to Cleopatra. 
C)  was monotheistic. 
D)  united Upper and Lower Egypt. 
A)  worshipped in the supreme deity, Osiris. 
B)  was half brother to Cleopatra. 
C)  was monotheistic. 
D)  united Upper and Lower Egypt.

Question 7

The great pyramids at Giza were constructed during the Fourth Dynasty.

Accepted Answer

A) True 
 B)False

______________evolved from a mastaba.

Hatshepsut is usually shown with male attributes such as a kilt, a beard and a bare, flat chest because:

The Nile, Tigris, and Euphrates Rivers define and divide the Egyptian landscape.

All eras of Egyptian religion were monotheistic.

Tutankhamun carried on the religious devotions of his predecessor Akhenaten.

Akhenaten:

The great pyramids at Giza were constructed during the Fourth Dynasty.

Prehistoric Art

Ancient Near Eastern Art

Aegean Art

Greek Art

Etruscan Art

Roman Art

Jewish, Early Christian, and Byzantine Art

Islamic Art

Early Medieval Art

Romanesque Art

Gothic Art

Art in Thirteenth- and Fourteenth-Century Italy

Artistic Innovations in Fifteenth-Century Northern Europe

The Early Renaissance in Fifteenth-Century Italy

The High Renaissance in Italy, 1495-1520

The Late Renaissance and Mannerism in Sixteenth-Century Italy

Renaissance and Reformation Throughout Sixteenth-Century Europe

The Baroque in Italy and Spain

The Baroque in the Netherlands

The Baroque in France and England

The Rococo

Art in the Age of the Enlightenment, 1750-1789

Art in the Age of the Romanticism, 1789-1848

The Age of Positivism

Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905

Toward Abstraction: the Modernist Revolution, 1905-1914

Art Between the Wars

Postwar to Postmodern, 1945-1980

The Postmodern Era: Art Since 1980

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Exam 3: Egyptian Art

______________evolved from a mastaba.

Hatshepsut is usually shown with male attributes such as a kilt, a beard and a bare, flat chest because:

The Nile, Tigris, and Euphrates Rivers define and divide the Egyptian landscape.

All eras of Egyptian religion were monotheistic.

Tutankhamun carried on the religious devotions of his predecessor Akhenaten.

Akhenaten:

The great pyramids at Giza were constructed during the Fourth Dynasty.

Prehistoric Art

Ancient Near Eastern Art

Aegean Art

Greek Art

Etruscan Art

Roman Art

Jewish, Early Christian, and Byzantine Art

Islamic Art

Early Medieval Art

Romanesque Art

Gothic Art

Art in Thirteenth- and Fourteenth-Century Italy

Artistic Innovations in Fifteenth-Century Northern Europe

The Early Renaissance in Fifteenth-Century Italy

The High Renaissance in Italy, 1495-1520

The Late Renaissance and Mannerism in Sixteenth-Century Italy

Renaissance and Reformation Throughout Sixteenth-Century Europe

The Baroque in Italy and Spain

The Baroque in the Netherlands

The Baroque in France and England

The Rococo

Art in the Age of the Enlightenment, 1750-1789

Art in the Age of the Romanticism, 1789-1848

The Age of Positivism

Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905

Toward Abstraction: the Modernist Revolution, 1905-1914

Art Between the Wars

Postwar to Postmodern, 1945-1980

The Postmodern Era: Art Since 1980

Filters