Exam 36: Art, War, and Revolution
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
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Why were some against Maya Lin's design of the Vietnam Veterans Memorial?
(Multiple Choice)
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Pablo Picasso's Guenica was an invented vision he made to express the terror he felt after waking from a nightmare.
(True/False)
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Perform a thorough formal analysis of Picasso's Guernica,including a composition diagram.Then explain specifically how the artist used the elements and principles of art to convey a message of terror.
(Essay)
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Perform a thorough formal analysis of the Palette of Narmer.Describe the ways in which the power of the ruler is represented.What is the overall message of the artwork and how does the artist convey this message?
(Essay)
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Timothy O'Sullivan was a photographer whose images were the result of random snapshots.
(True/False)
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Consider the evolution of Ganzeer's Tanks vs.Bike (4.7.13).Discuss the reasons Ganzeer created the work.Then analyse why you think other artists were inspired to add on to his work rather than creating their own.
(Essay)
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Nick Ut's photographs of the Vietnam War are brutally truthful,but he was not an impartial photographer.
(True/False)
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Compare and contrast Timothy O'Sullivan's Harvest of Death (4.7.1)and Nick Ut's Vietnamese Girl Kim Phuc Running after Napalm Attack (4.7.2).Do a full visual analysis of each artwork.Explain how each artist creates emotion in their artworks.
(Essay)
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The Japanese scroll painting of the Night Attack on the Sanjo Palace shows a raid by samurai warriors during which they kidnapped the Emperor Nijo from his palace.
(True/False)
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