Exam 36: Art, War, and Revolution
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
Select questions type
Anselm Kiefer's own experiences and his German nationality have affected the way he interprets war in his artworks.
Free
(True/False)
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Correct Answer:
True
Which elements are part of the 9/11 Memorial in New York City?
Free
(Multiple Choice)
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Correct Answer:
D
What is not true about the Vietnam Veterans Memorial?
Free
(Multiple Choice)
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Correct Answer:
A
Research Wafaa Bilal's Domestic Tension at http://bit.ly/1DOhMcF.Write an essay that addresses whether you think Bilal's artwork makes viewers more aware of Iraq's recent history.
(Essay)
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The ruler in Palette of Narmer is identified using hierarchical scale.
(True/False)
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In Ganzeer's Tank vs.Bike,a team of understudies created the tank and Ganzeer painted his signature panda himself.
(True/False)
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Pablo Picasso would not let Guernica be seen by the public until Adolf Hitler was out of power.
(True/False)
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Which of the following artworks depict in great detail the specific wardrobe of warriors?
(Multiple Choice)
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In The War,Otto Dix paints a soldier lying in a trench in the ________ section of his artwork.
(Multiple Choice)
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Timothy O'Sullivan's famous photograph of dead bodies on a deserted battlefield (4.7.1)was taken during ________.
(Multiple Choice)
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Which of these artists created a war artwork that was an interactive performance?
(Multiple Choice)
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The 9/11 Memorial has been achieved without any controversy over its final design.
(True/False)
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Nick Ut never found out what happened to the Vietnamese girl he photographed running away after a napalm attack in which she had been burned.
(True/False)
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The Tula warrior columns (4.7.9)were made by the Toltec people of Mexico,a civilization which came after the Aztecs.
(True/False)
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The fact that Goya's paintings The Second of May,1808 and The Third of May,1808 portray different sides committing acts of violence shows that Goya was condemning war in general.
(True/False)
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