Exam 18: Photography
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
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Compare the approaches to photojournalism represented by Dorothea Lange's Migrant Mother (2.8.9)and Steve McCurry's Magician,Rajasthan,India (2.8.15).What did each photographer choose to photograph? What are the circumstances surrounding each picture? How does the appearance of the photograph contribute to its underlying meaning?
(Essay)
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In his photograph Two Ways of Life,Oscar Gustav Rejlander employed methods that emulated the process of ________.
(Multiple Choice)
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The photographer of Afghan Girl was able to locate the girl many years later by using ________ as a means of identification.
(Multiple Choice)
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Match the early photographic innovator with his invention:
-William Henry Fox Talbot
(Multiple Choice)
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A major benefit of the daguerreotype process is that ________.
(Multiple Choice)
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Compare and contrast the examples of photojournalism in this Chapter with some contemporary news photographs from a recent newspaper.How do you think the pictures in this Chapter differ from or resemble the recent photos in terms of content,appearance,and impact? Consider how these older photographs might have influenced today's photographers.Which of the images,either historical or present-day,do you find the most interesting? Why?
(Essay)
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Match the photographic term with its definition:
-photojournalism
(Multiple Choice)
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Match the early photographic innovator with his invention:
-John Herschel
(Multiple Choice)
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Compare the documentary approaches of Lewis Wickes Hine in Ten Year Old Spinner (2.8.13)and Edward Burtynsky in Manufacturing #17,Deda Chicken Processing Plant (2.8.26).What did each photographer try to record? Considering the subject matter of each image,what has been included and what left out?
(Essay)
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Match the photographer with a description of his or her work:
-Ansel Adams
(Multiple Choice)
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Discuss the idea that certain photographs can become so familiar that they are deemed icons.What makes a particular picture iconic? Think about famous photographs that might come under this title.What are their similarities? Does the reason they are so famous have to do with the artist,or another factor?
(Essay)
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Which of the following statements is true of the Caffenol process?
(Multiple Choice)
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The visual effect created by a camera obscura can occur in any room,whether it is light or dark.
(True/False)
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In order for photojournalistic news photos to be effective they need to be seen as ________.
(Multiple Choice)
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Color photographs could be made from the time that the first photographic processes were invented.
(True/False)
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Shining a light through a film negative reverses the tones so that multiple positive prints can be made.
(True/False)
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