Exam 13: The Middle Ages
Exam 1: What Is Theatre40 Questions
Exam 2: What Is a Play40 Questions
Exam 3: The Actor40 Questions
Exam 4: The Playwright40 Questions
Exam 5: Designers and Technicians40 Questions
Exam 6: The Director40 Questions
Exam 7: Theatre Traditions40 Questions
Exam 8: The Modern Theatre40 Questions
Exam 9: Musical Theatre40 Questions
Exam 10: Theatre Today40 Questions
Exam 11: The Audience33 Questions
Exam 12: The Ancients40 Questions
Exam 13: The Middle Ages40 Questions
Exam 14: The Renaissance40 Questions
Exam 15: The Theatre of Asia40 Questions
Exam 16: The Royal Era40 Questions
Exam 17: The Modern Theatre: Realism40 Questions
Exam 18: The Modern Theatre: Antirealism40 Questions
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Which element is NOT held in common by passion plays,mystery plays,and pageant plays?
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(Multiple Choice)
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D
An elaboration of the official Catholic Church liturgy,staged as part of regular church services during between the tenth and twelfth centuries,is known as a
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B
Which of the following does medieval drama NOT share with Greek theatre?
(Multiple Choice)
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What factors contributed to Pope Innocent II's decree in 1240 that drama could no longer be played in church?
(Multiple Choice)
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Compare and contrast the function and symbolism of Lucifer in the Creation playlet of the York Cycle with Prometheus in Prometheus Bound.
(Essay)
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How much time did one complete production of the Corpus Christi plays last?
(Multiple Choice)
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Describe the contributions of the guilds to the development of medieval drama.
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What common sin links Lucifer in the York Cycle with Prometheus in Prometheus Bound?
(Multiple Choice)
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Which guild in York produced the Building of the Ark playlet?
(Multiple Choice)
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Which of the following is NOT true of the relationship between Prometheus Bound and the York Cycle?
(Multiple Choice)
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One contemporary analogy to the rolling procession of the cycle plays is
(Multiple Choice)
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Which of the following was NOT an effect of a theatre devoted to the glorification of Christ?
(Multiple Choice)
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Between A.D.925 and the Late Middle Ages,how did the form of drama,context of production,and nature of performance change as the Church increasingly surrendered control over their presentation? What might this have reflected about social changes at the time?
(Essay)
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How was the economic burden of play production handled in medieval drama?
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How did medieval drama represent humankind's quest for individual knowledge?
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