Exam 6: Cinematography

When an extreme long shot is used to provide spatial context at the beginning of a scene, it is also known as

To visually imply a character's power and superiority, the camera is traditionally placed at ________ in relation to that character.

A colored filter placed before the lens is often used to correct

Explain how Spike Lee in Do the Right Thing (1989) and Stanley Kubrick in The Shining (1980) use low-angle shots to convey two different meanings.

When framing a shot, cinematographers are limited by the aspect ratio, which is the

By 2012, what percentage of the top-grossing feature films were shot digitally?

The selective use of a ________ lens during the filming of a scene from Sunset Boulevard (1950) captured images that relate to our day-to-day experience of depth and perception.

________ is a specific visual effect in which a live-action subject wears a bodysuit fitted with reflective markers that enables a computer to record each movement as digital images.

What are the reasons by which a cinematographer would select opened or closed framing for a film?

The terms "long shot" and "medium shot" refer to

The ________ is the person responsible for feeding film stock into magazines that are then loaded onto the camera during production.

To imply that the on-screen world is somehow out of balance, filmmakers may photograph a subject with a ________, which tilts the camera from its normal horizontal and vertical position.

The middle-focal-length lens (from 35mm to 50mm) is also known as a

The ________ lens tends to exaggerate the perceived spatial relationship between the subject and the camera.

Wide-angle, normal, and telephoto lenses with fixed focal lengths are known as ________ lenses.

Virtually all feature films today are shot in color. Identify two examples in which the use of black and white may have been a better choice from a critical standpoint. Explain your answer.

In the 1960s, a popular way of moving the camera in the cinéma vérité style of filmmaking was done by a

Explain the aesthetic advantages of the Steadicam and how director Stanley Kubrick used it to his thematic advantage in The Shining (1980).

How did set and costume designers and makeup artists of the classical Hollywood studio system manipulate colors when shooting in black and white? Why was this necessary?

Although the director's vision shapes a movie's mise-en-scène, the cinematographer must make decisions about