Exam 6: Cinematography

To reveal the inner thoughts of Nicole Kidman's character, Anna, in Birth (2004), the director combined what two cinematographic tools?

The vertical movement of a camera mounted to the head of a stationary tripod is a

"Depth of field" refers to the distances in front of the camera (and its lens) in which the subjects are

Citing specific examples, how did most filmmakers create the illusion of depth in films prior to Citizen Kane (1941)? What were some of the techniques credited to Greg Toland that helped change those approaches?

The change of the point of focus from one subject to another during a shot is known as a

The additive process to render color images on film stock was replaced by the ________ process in the 1930s.

Darren Aronofsky's stylized and allegorical horror film Mother! (2017) is, by design, ________ film.

The use of color film stock for John Ford's The Searchers (1956) was probably due less to aesthetics than to.

Which European director referred to the moving camera as "the unchained camera" and is known for pioneering its use?

If you are a cinematographer and the director asks you to photograph just the lips of an actor, what type of shot is she asking for?

Why is it unusual that protagonist Marshal Will Kane in High Noon (1952) wears a black hat?

The opening of Orson Welles's Touch of Evil (1958) features a lengthy, continuous ________ shot.

To achieve an incongruous dreamlike quality that placed viewers in the protagonist's solitary perspective, the filmmakers of Moonlight (2016) shot virtually every scene using only a

What do you call the fragments of image information that a digital camera captures with its electronic sensor?

A ________ is an unbroken span of action capture by an uninterrupted run of the camera.

The slow-motion power walk was popularized in which of the following films?

What technique keeps all three planes of the film frame in sharp focus?

What is the primary goal of a cinematographer? In what ways is a cinematographer's method in achieving that goal similar to that of a painter or writer?

A director chooses the ________ frame when the characters in the story are restricted in their movements, often due to outside forces, such as social or economic.

In Moonlight, director Barry Jenkins and cinematographer James Laxton chose to shoot in a ________ to help the actors immerse themselves in a dramatic situation without the distraction of cutting and slating new takes.