Question 1

Textile art make what two types of objects?

Accepted Answer

Textile art encompasses a wide range of techniques and materials, but generally, it can be said to produce two main types of objects: decorative and functional.

1. Decorative Objects: These are items that are primarily created for aesthetic purposes to adorn spaces and are not necessarily meant for practical use. Examples include tapestries, wall hangings, embroidered pieces, quilts (when used as wall art), and other forms of fiber art that serve as visual and tactile interest in interior design.

2. Functional Objects: These are items that serve a practical purpose but are also created with artistic intent. Examples include clothing, accessories, household linens like tablecloths and bedspreads, rugs, and upholstered furniture. While these items are used in everyday life, they can also be intricately designed and crafted, showcasing the skill and creativity of the textile artist.

Both types of objects reflect the diversity of textile art, which can range from traditional crafts to contemporary art forms, blending utility with creativity.

Question 2

Contrast the attitude of the ancient Greek philosophers regarding the distinction between fine art and functional objects with that of a nineteenth-century French philosopher.Explain why you do or do not agree with either point of view.

Accepted Answer

The ancient Greek philosophers, such as Plato and Aristotle, held a high regard for fine art and believed that it served a higher purpose than functional objects. They saw fine art as a means of expressing and capturing the essence of beauty, truth, and the human experience. They believed that fine art had the power to elevate the soul and inspire contemplation and introspection. In contrast, functional objects were seen as merely serving practical purposes and lacked the depth and meaning of fine art.

On the other hand, a nineteenth-century French philosopher, such as Charles Baudelaire, had a different perspective on the distinction between fine art and functional objects. Baudelaire believed in the concept of "l'art pour l'art" or "art for art's sake," which emphasized the value of art for its own sake, rather than for any moral or utilitarian purpose. He believed that both fine art and functional objects could be appreciated for their aesthetic qualities and that art should not be limited by its function or purpose.

I personally agree with the perspective of the ancient Greek philosophers regarding the distinction between fine art and functional objects. I believe that fine art has the potential to evoke deep emotions, provoke thought, and transcend the mundane, while functional objects are primarily designed for practical use. While I appreciate the aesthetic qualities of functional objects, I believe that fine art holds a unique and profound significance in its ability to enrich the human experience and connect us to the deeper aspects of our existence. Therefore, I align more with the ancient Greek philosophers' view that fine art serves a higher purpose than functional objects.

Question 3

Discuss how Robert Arneson's Jackson Pollock blurs the line between craft and fine art.How does the glaze relate to the subject?

Accepted Answer

Robert Arneson's Jackson Pollock blurs the line between craft and fine art by creating a ceramic sculpture that mimics the style of Jackson Pollock's abstract expressionist paintings. Arneson's use of clay and glaze to recreate Pollock's iconic drip painting technique challenges the traditional notion of craft as a lesser form of art compared to fine art. By elevating a craft medium like ceramics to create a fine art piece, Arneson challenges the hierarchy of art forms and blurs the distinction between craft and fine art.

The glaze in Arneson's Jackson Pollock sculpture relates to the subject by mimicking the chaotic and spontaneous nature of Pollock's paintings. The drips and splatters of glaze on the ceramic surface capture the energy and movement of Pollock's original works, effectively translating the essence of Pollock's art into a different medium. This use of glaze not only adds visual interest to the sculpture but also serves as a direct reference to Pollock's artistic style, further blurring the line between craft and fine art.

Question 4

Kiff Slemmon's __________ is a miniature sculpture that was constructed for the Artworks for AIDS exhibition and makes reference to the history of mass deaths.

Accepted Answer

A)   ​Death Cart 
B)   AIDS Buggy​ 
C)   Alarm!​ 
D)   ​Death Clock 
E)   Transport​

Question 5

List five things that can be done with molten glass.

Accepted Answer

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Question 6

Compare and contrast Melvyn Firmager's Untitled and David Ellsworth's Vessel in terms of the versatility of wood.

Accepted Answer

The answer of Compare and contrast Melvyn Firmager's Untitled and...

Question 7

The __________ developed the process of glass blowing and thus made __________ commonplace.

Accepted Answer

A)   ​Egyptians; windows 
B)   ​Chinese; paperweights 
C)   ​Romans; glass vessels 
D)   ​Greeks; mirrors 
E)   ​Phoenicians; glass drinking vessels

Question 8

In __________ weaving,found in carpeting and in velvet,loops or knots are tied and when the knotting is finished,the ends are cut to create an even surface.

Accepted Answer

A)   plain​ 
B)   ​pile 
C)   ​satin 
D)   ​twill 
E)   ​hand

Question 9

Discuss the allegorical significance of Benvenuto Cellini's gold Saltcellar of Francis I.

Accepted Answer

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Question 10

The gold Russian pectoral piece,produced in the fourth century bce,depicts a mythical creature that is half lion and half eagle,known as a __________,in the lower register.

Accepted Answer

A)   ​triton 
B)   ​chimera  
C)   ​faun 
D)   ​griffin 
E)   ​centaur

Question 11

Explain how the magnificent Roman Portland Vase was created.

Accepted Answer

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Question 12

Probably the best-known piece of Roman glassware known today is the __________,made by the __________ in the third century ce.

Accepted Answer

A)   ​Magneto Woman Vessel; North Africans 
B)   ​Icicle Chandelier; Russians 
C)   ​Peking Vase; Chinese 
D)   ​Portland Vase; Romans 
E)   ​Venetian Vase; Romans

Question 13

When Thomas Hoving,former Director of the Metropolitan Museum of Art,first saw a fine scene-painted ancient Greek terra cotta vase,he said,"The first thought that came to mind was [that] I was gazing not at a vase,but at a painting." This is indicative of __________.

Accepted Answer

A)   ​his great respect for Greek treasures 
B)   ​an art world prejudice that places less importance on functional objects 
C)   ​the incredible rarity of a signed Greek vase 
D)   ​the inferior form of the vase itself 
E)   ​the fact that the incredible painting overshadowed the form of the vase

Question 14

The __________ process utilizes a series of dye baths and wax applications to create a design on fabric.

Accepted Answer

A)   ​embroidery 
B)   ​batik 
C)   ​tie-dye 
D)   ​wood block printing 
E)   ​hand printing

Question 15

Describe the setting and visual effect of Dale Chihuly's Icicle Creek Chandelier.

Accepted Answer

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Question 16

In weaving,the lengthwise fibers are called the __________.

Accepted Answer

A)   ​warp 
B)   ​weft 
C)   ​woof 
D)   ​base 
E)   ​background

Question 17

A type of popular,ornamental nineteenth-century American glass pressed into molds in the shapes of cats,dogs,hens,and ducks is known as __________.

Accepted Answer

A)   favrile glass​ 
B)   ​Sandwich glass 
C)   ​flint glass 
D)   ​stained glass 
E)   ​carnival glass

Question 18

The botanical forms of __________ are considered some of the finest examples of Art Nouveau glass.

Accepted Answer

A)   ​Cellini 
B)   ​Toulouse-Lautrec 
C)   ​Whistler 
D)   ​Mapping and Webb 
E)   ​Tiffany

Question 19

Cheryl Ann Thomas's contemporary work Relic130 is best categorized as __________.

Accepted Answer

A)   ​a piece of pottery 
B)   ​fiberglass 
C)   ​coiling 
D)   ​a blown glass object 
E)   ​a wood work

Question 20

How does Kiff Slemmons's Transport bridge the gulf between fine art and the functional object?

Accepted Answer

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Exam 12: Craft Arts