Fast Motion, Which Is Achieved by Filming at a Lower

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The Answer is Speeding up the way we humans move can make our actions look ridiculous, and so fast motion is often used for comic effect, as it is in a scene of casual anonymous sex in A Clockwork Orange (1971). But in the right hands and in the right context, fast motion can be as expressive as slow motion. In Donnie Darko (2001), fast motion is used to present time as malleable, even volatile. In Luc Besson's Lucy (2014), fast-motion time lapses visualize the title character's sudden drug-induced ability to process almost limitless information. Time lapses of passing clouds are often used to signal a passage of time, as in Francis Ford Coppola's Rumble Fish (1983). And in the final shots of Jean-Pierre Jeunet's Amélie (2001), fast-motion footage of a couple riding a scooter expresses the exuberance of newfound love.

Fast Motion, Which Is Achieved by Filming at a Lower

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Fast Motion, Which Is Achieved by Filming at a Lower

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