Exam 13: Directing and Producing

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Which is NOT a main directorial concern in guiding the performers' use of voice and speech?

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D

The term "open call" means that anyone who wants to audition may do so without any restrictions

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False

Which statement best defines the auteur directorial approach?

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B

Which is the perhaps the most indispensable of the director's assistants?

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The means to create visual emphasis remain the same, regardless of the type of stage

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Directors generally dictate to the designers exactly what the show should look like

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The typical rehearsal schedule follows what process?

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Director Anne Bogart has gained considerable notoriety for staging familiar or classical plays in a manner that can seem iconoclastic

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The producer's primary functions are financial and managerial in nature

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The term "technical rehearsals" refers to when the actors first discuss the play with the director

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Each moment within a play creates an image that sends a message to the audience - whether planned or not

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Ariane Mnouchkine staged some of Shakespeare's history plays using the formalized conventions of Asian theatre is an example of the auteur directorial approach

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The term "blocking" refers to:

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From the beginning of rehearsals, directors are usually able to rehearse with the actual scenery, properties and costumes

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Producers usually provide potential investors with:

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The term "colorblind casting" refers to what practice?

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Stage movement may:

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Which is NOT ordinarily a responsibility of the director?

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Have your students write an essay that addresses the different means of auditioning performers. They might consider some or all of the following questions. What factors influence a director's choice of how to audition performers? How do the different ways of auditioning performers yield different types of information? What values and assumptions about acting support the choice to audition performers by "cold readings?" By prepared monologues? By interview?

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When studying the script, one of the questions a director may ask is whether or not the length of the script should be cut.

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