Question 1

In The Waste Land,T.S.Eliot describes modern love as

Accepted Answer

A)  spiritual and inspiring. 
B)  violent and physical. 
C)  hopeful and healing. 
D)  mechanical and tedious. 
A)  spiritual and inspiring. 
B)  violent and physical. 
C)  hopeful and healing. 
D)  mechanical and tedious. D

Question 2

Archetypes are central to the thinking of the

Accepted Answer

A)  thinking of Carl Jung. 
B)  thinking of Sigmund Freud. 
C)  writing of James Joyce. 
D)  writing of Virginia Woolf. 
A)  thinking of Carl Jung. 
B)  thinking of Sigmund Freud. 
C)  writing of James Joyce. 
D)  writing of Virginia Woolf. A

Question 3

Define "Dadaism," and identify the reasons for its rise,supporting your ideas with at least one specific Dada work.

Accepted Answer

Dadaism was an art movement that emerged during World War I, primarily in Zurich, Switzerland. It was characterized by its rejection of traditional artistic values and its embrace of chaos, irrationality, and absurdity. Dadaists sought to challenge the established norms of art and society, often using satire and nonsensical imagery to provoke a reaction.

The rise of Dadaism can be attributed to several factors. Firstly, the tumultuous political and social climate of the time, with the devastation of World War I and the disillusionment with traditional values, led many artists to seek new forms of expression. Dadaism provided a platform for these artists to rebel against the status quo and express their disillusionment with the world around them.

Additionally, the movement was a response to the perceived irrationality and absurdity of the war itself. Dadaists sought to reflect this chaos and absurdity in their art, often using found objects and nonsensical imagery to create works that defied traditional artistic conventions.

One specific Dada work that exemplifies these ideas is Marcel Duchamp's "Fountain," created in 1917. This piece, which consisted of a urinal signed with the pseudonym "R. Mutt," was a direct challenge to the notion of what could be considered art. By presenting a mass-produced object as a work of art, Duchamp and the Dadaists sought to disrupt the traditional understanding of artistic value and meaning.

In conclusion, Dadaism rose as a response to the social and political upheaval of World War I, as well as a rejection of traditional artistic values. Through works like "Fountain," Dadaists sought to challenge the established norms of art and society, embracing chaos, irrationality, and absurdity as a means of expression.

Question 4

Much of Kazimir Malevich's Suprematist art depends on the square to

Accepted Answer

A)  undermine the efforts of the Cubo-Futurists. 
B)  represent the world's four corners. 
C)  free art from objectivity's weight. 
D)  express deep emotion. 
A)  undermine the efforts of the Cubo-Futurists. 
B)  represent the world's four corners. 
C)  free art from objectivity's weight. 
D)  express deep emotion.

Question 5

According to Sigmund Freud,sublimation is the

Accepted Answer

A)  return to a child-like state. 
B)  desire for pleasure. 
C)  compromise reached between the ego and the superego. 
D)  redirection of the id's primal impulses. 
A)  return to a child-like state. 
B)  desire for pleasure. 
C)  compromise reached between the ego and the superego. 
D)  redirection of the id's primal impulses.

Question 6

Marcel Duchamp regarded bourgeois taste to be most embodied in

Accepted Answer

A)  film. 
B)  photomontage. 
C)  ready-made sculpture. 
D)  painting. 
A)  film. 
B)  photomontage. 
C)  ready-made sculpture. 
D)  painting.

Question 7

The Nazi government banned Erich Maria Remarque's novel All Quiet on the Western Front for being too

Accepted Answer

A)  antimilitaristic. 
B)  violent. 
C)  crass. 
D)  nationalistic. 
A)  antimilitaristic. 
B)  violent. 
C)  crass. 
D)  nationalistic.

Question 8

According to Sigmund Freud,civilizations have failed by

Accepted Answer

A)  repressing human sexuality. 
B)  not defining a social conscience. 
C)  not controlling aggression. 
D)  not establishing pleasure principles. 
A)  repressing human sexuality. 
B)  not defining a social conscience. 
C)  not controlling aggression. 
D)  not establishing pleasure principles.

Question 9

Virginia Woolf disapproved of James Joyce's Ulysses for its

Accepted Answer

A)  use of obscenity. 
B)  absence of punctuation. 
C)  working-class focus. 
D)  excessive length. 
A)  use of obscenity. 
B)  absence of punctuation. 
C)  working-class focus. 
D)  excessive length.

Question 10

In "A Room of One's Own," Virginia Woolf claimed that in order to reach their full potential,women needed

Accepted Answer

A)  the social position to bring about political change. 
B)  financial and psychological freedom from men. 
C)  relief from the constraints of motherhood. 
D)  mental stability to overcome life's stresses. 
A)  the social position to bring about political change. 
B)  financial and psychological freedom from men. 
C)  relief from the constraints of motherhood. 
D)  mental stability to overcome life's stresses.

Question 11

List and explain three ways in which World War I's trench warfare produced a sense of fragmentation,alienation,and futility.

Accepted Answer

1. Physical separation: Trench warfare p

Question 12

In The Battleship Potemkin's Odessa Steps scene,Sergei Eisenstein heightened tension and emotional impact by

Accepted Answer

A)  alternating between traveling and fixed shots. 
B)  using different rhythms of music. 
C)  speeding up the rate of the sequence. 
D)  shooting the film from behind the soldiers 
A)  alternating between traveling and fixed shots. 
B)  using different rhythms of music. 
C)  speeding up the rate of the sequence. 
D)  shooting the film from behind the soldiers

Question 13

List and define Freud's three competing drives of human personality.

Accepted Answer

Freud's three competing drives of human

Question 14

Mustard gas killed its victims by

Accepted Answer

A)  burning them. 
B)  choking them. 
C)  causing failures in blood circulation. 
D)  causing failures of the nervous system. 
A)  burning them. 
B)  choking them. 
C)  causing failures in blood circulation. 
D)  causing failures of the nervous system.

Question 15

Who declared of the survivors of World War I,"You are all a lost generation"?

Accepted Answer

A)  Erich Maria Remarque 
B)  Ernst Ludwig Kirchner 
C)  John Singer Sargent 
D)  Gertrude Stein 
A)  Erich Maria Remarque 
B)  Ernst Ludwig Kirchner 
C)  John Singer Sargent 
D)  Gertrude Stein

Question 16

Which artwork did one American critic describe as "an explosion in a shingle factory"?

Accepted Answer

A)  El Lissitzsky's Beat the Whites with the Red Wedge 
B)  Raoul Hausmann's The Art Critic 
C)  Hans Arp's Fleur Manteau (Flower Hammer) 
D)  Marcel Duchamp's Nude Descending a Staircase 
A)  El Lissitzsky's Beat the Whites with the Red Wedge 
B)  Raoul Hausmann's The Art Critic 
C)  Hans Arp's Fleur Manteau (Flower Hammer) 
D)  Marcel Duchamp's Nude Descending a Staircase

Question 17

Some early twentieth-century writers embraced a stream-of-consciousness method to

Accepted Answer

A)  pare down their writing styles to the most basic reflections. 
B)  expand their novels beyond a mere narrative of events 
C)  focus more sharply on condensed episodes of time. 
D)  emphasize the subjectivity of their characters' points of view. 
A)  pare down their writing styles to the most basic reflections. 
B)  expand their novels beyond a mere narrative of events 
C)  focus more sharply on condensed episodes of time. 
D)  emphasize the subjectivity of their characters' points of view.

Question 18

Analyze and illustrate the connection between Freud's theories about human personality and the development of stream of consciousness in the novels of James Joyce and Virginia Woolf.

Accepted Answer

Sigmund Freud's theories about human per

Question 19

The Russian Suprematists sought to discover what most minimally made a painting. Explain their response to that idea,and then provide your definition of what qualifies as a painting.

Accepted Answer

The Russian Suprematists, led by artist

Question 20

Show and explain two ways Freud's theories about personality affected the Surrealist art of Picasso and Dalí.

Accepted Answer

Freud's theories about personality had a

In The Waste Land,T.S.Eliot describes modern love as

Archetypes are central to the thinking of the

Define "Dadaism," and identify the reasons for its rise,supporting your ideas with at least one specific Dada work.

Much of Kazimir Malevich's Suprematist art depends on the square to

According to Sigmund Freud,sublimation is the

Marcel Duchamp regarded bourgeois taste to be most embodied in

The Nazi government banned Erich Maria Remarque's novel All Quiet on the Western Front for being too

According to Sigmund Freud,civilizations have failed by

Virginia Woolf disapproved of James Joyce's Ulysses for its

In "A Room of One's Own," Virginia Woolf claimed that in order to reach their full potential,women needed

List and explain three ways in which World War I's trench warfare produced a sense of fragmentation,alienation,and futility.

In The Battleship Potemkin's Odessa Steps scene,Sergei Eisenstein heightened tension and emotional impact by

List and define Freud's three competing drives of human personality.

Mustard gas killed its victims by

Who declared of the survivors of World War I,"You are all a lost generation"?

Which artwork did one American critic describe as "an explosion in a shingle factory"?

Some early twentieth-century writers embraced a stream-of-consciousness method to

Analyze and illustrate the connection between Freud's theories about human personality and the development of stream of consciousness in the novels of James Joyce and Virginia Woolf.

The Russian Suprematists sought to discover what most minimally made a painting. Explain their response to that idea,and then provide your definition of what qualifies as a painting.

Show and explain two ways Freud's theories about personality affected the Surrealist art of Picasso and Dalí.

The Baroque in Italy: the Church and Its Appeal

The Secular Baroque in the North: the Art of Observation

The Baroque Court: Absolute Power and Royal Patronage

The Rise of the Enlightenment in England: the Claims of Reason

The Rococo and the Enlightenment on the Continent: Privilege and Reason

The Rights of Man: Revolution and the Neoclassical Style

The Romantic World View: the Self in Nature and the Nature of Self

Industry and the Working Class: a New Realism

Defining a Nation: American National Identity and the Challenge of Civil War

Global Confrontation and Modern Life: the Quest for Cultural Identity

The Promise of Renewal: Hope and Possibility in Late Nineteenth-Century Europe

The Course of Empire: Expansion and Conflict in America

The Fin De Siècle: Toward the Modern

The Era of Invention: Paris and the Modern World

New York, skyscraper Culture, and the Jazz Age: Making It New

The Age of Anxiety: Fascism and Depression, holocaust and Bomb

After the War: Existential Doubt,artistic Triumph,and the Culture of Consumption

Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s

Without Boundaries: Multiple Meanings in a Postmodern World

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Exam 35: The Great War and Its Impact: a Lost Generation and a New Imagination

In The Waste Land,T.S.Eliot describes modern love as

Archetypes are central to the thinking of the

Define "Dadaism," and identify the reasons for its rise,supporting your ideas with at least one specific Dada work.

Much of Kazimir Malevich's Suprematist art depends on the square to

According to Sigmund Freud,sublimation is the

Marcel Duchamp regarded bourgeois taste to be most embodied in

The Nazi government banned Erich Maria Remarque's novel All Quiet on the Western Front for being too

According to Sigmund Freud,civilizations have failed by

Virginia Woolf disapproved of James Joyce's Ulysses for its

In "A Room of One's Own," Virginia Woolf claimed that in order to reach their full potential,women needed

List and explain three ways in which World War I's trench warfare produced a sense of fragmentation,alienation,and futility.

In The Battleship Potemkin's Odessa Steps scene,Sergei Eisenstein heightened tension and emotional impact by

List and define Freud's three competing drives of human personality.

Mustard gas killed its victims by

Who declared of the survivors of World War I,"You are all a lost generation"?

Which artwork did one American critic describe as "an explosion in a shingle factory"?

Some early twentieth-century writers embraced a stream-of-consciousness method to

Analyze and illustrate the connection between Freud's theories about human personality and the development of stream of consciousness in the novels of James Joyce and Virginia Woolf.

The Russian Suprematists sought to discover what most minimally made a painting. Explain their response to that idea,and then provide your definition of what qualifies as a painting.

Show and explain two ways Freud's theories about personality affected the Surrealist art of Picasso and Dalí.

The Baroque in Italy: the Church and Its Appeal

The Secular Baroque in the North: the Art of Observation

The Baroque Court: Absolute Power and Royal Patronage

The Rise of the Enlightenment in England: the Claims of Reason

The Rococo and the Enlightenment on the Continent: Privilege and Reason

The Rights of Man: Revolution and the Neoclassical Style

The Romantic World View: the Self in Nature and the Nature of Self

Industry and the Working Class: a New Realism

Defining a Nation: American National Identity and the Challenge of Civil War

Global Confrontation and Modern Life: the Quest for Cultural Identity

The Promise of Renewal: Hope and Possibility in Late Nineteenth-Century Europe

The Course of Empire: Expansion and Conflict in America

The Fin De Siècle: Toward the Modern

The Era of Invention: Paris and the Modern World

New York, skyscraper Culture, and the Jazz Age: Making It New

The Age of Anxiety: Fascism and Depression, holocaust and Bomb

After the War: Existential Doubt,artistic Triumph,and the Culture of Consumption

Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s

Without Boundaries: Multiple Meanings in a Postmodern World

Filters