Question 1

________ marked the high point in Romantic influence on politics.

Accepted Answer

A) The publishing of Lyrics of Ballads 
B) The "return to nature" movement 
C) Charles X ascending to the French throne 
D) The July Revolution 
E) The Sturm und Drang movement 
A) The publishing of Lyrics of Ballads 
B) The "return to nature" movement 
C) Charles X ascending to the French throne 
D) The July Revolution 
E) The Sturm und Drang movement

Question 2

Géricault's Raft of the "Medusa" was based on

Accepted Answer

A) a Romantic concoction under the influence of opium. 
B) an event taken from the newspapers of the day. 
C) a scene from the French Revolution. 
D) a mythological scene. 
A) a Romantic concoction under the influence of opium. 
B) an event taken from the newspapers of the day. 
C) a scene from the French Revolution. 
D) a mythological scene.

Question 3

In the Raft of the "Medusa," "Medusa" refers to

Accepted Answer

A) a jellyfish. 
B) a life raft. 
C) a ship. 
D) a hospital. 
E) a painting by Caravaggio. 
A) a jellyfish. 
B) a life raft. 
C) a ship. 
D) a hospital. 
E) a painting by Caravaggio.

Question 4

Which is NOT a theme in Goya's painting?

Accepted Answer

A) social injustice 
B) child psychology 
C) irrational thinking 
D) frivolity 
A) social injustice 
B) child psychology 
C) irrational thinking 
D) frivolity

Question 5

________ was a literary movement that exalted individualism and nature as a reaction against French Classical taste.

Accepted Answer

A) Walden Pond 
B) Gouache 
C) Storm and Stress 
D) Gothic Revival 
E) Alhambra 
A) Walden Pond 
B) Gouache 
C) Storm and Stress 
D) Gothic Revival 
E) Alhambra

Question 6

Which is NOT a tenet of Romanticism?

Accepted Answer

A) nostalgia 
B) exoticism 
C) chivalric tales 
D) the sublime 
E) social realism 
A) nostalgia 
B) exoticism 
C) chivalric tales 
D) the sublime 
E) social realism

________ marked the high point in Romantic influence on politics.

Géricault's Raft of the "Medusa" was based on

In the Raft of the "Medusa," "Medusa" refers to

Which is NOT a theme in Goya's painting?

________ was a literary movement that exalted individualism and nature as a reaction against French Classical taste.

Which is NOT a tenet of Romanticism?

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

Filters

Exam 20: Romanticism: The Late Eighteenth and Early Nineteenth Centuries

________ marked the high point in Romantic influence on politics.

Géricault's Raft of the "Medusa" was based on

In the Raft of the "Medusa," "Medusa" refers to

Which is NOT a theme in Goya's painting?

________ was a literary movement that exalted individualism and nature as a reaction against French Classical taste.

Which is NOT a tenet of Romanticism?

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

Filters