Question 1

Millet's Gleaners combines

Accepted Answer

A) social observation with Neoclassicism. 
B) Renaissance monumentality with Romanticism. 
C) Medieval feudalism with Romanticism. 
D) social observation with Romanticism. 
A) social observation with Neoclassicism. 
B) Renaissance monumentality with Romanticism. 
C) Medieval feudalism with Romanticism. 
D) social observation with Romanticism.

Question 2

The figures in Manet's Déjeuner sur l'Herbe are identified as

Accepted Answer

A) Manet's sister, his brother-in-law, and Victorine. 
B) Manet's model, brother-in-law, and sister. 
C) Manet's model, Gustave Manet, and Ferdinand Leenhoff. 
D) Manet, his model, and his brother. 
A) Manet's sister, his brother-in-law, and Victorine. 
B) Manet's model, brother-in-law, and sister. 
C) Manet's model, Gustave Manet, and Ferdinand Leenhoff. 
D) Manet, his model, and his brother.

Question 3

Courbet objected to Olympia because

Accepted Answer

A) it was not realistic enough. 
B) it was too Classical. 
C) it was based on Renaissance prototypes. 
D) it was too flat. 
A) it was not realistic enough. 
B) it was too Classical. 
C) it was based on Renaissance prototypes. 
D) it was too flat.

Question 4

Which was NOT a new feature in the development of nineteenth-century skyscrapers?

Accepted Answer

A) masonry and brick construction 
B) power-driven elevators 
C) steel frames 
D) concrete reinforced with steel wire 
A) masonry and brick construction 
B) power-driven elevators 
C) steel frames 
D) concrete reinforced with steel wire

Question 5

Who of the following was NOT a nineteenth-century photographer?

Accepted Answer

A) Cameron 
B) Nadar 
C) Brady 
D) Duckworth 
A) Cameron 
B) Nadar 
C) Brady 
D) Duckworth

Millet's Gleaners combines

The figures in Manet's Déjeuner sur l'Herbe are identified as

Courbet objected to Olympia because

Which was NOT a new feature in the development of nineteenth-century skyscrapers?

Who of the following was NOT a nineteenth-century photographer?

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Romanticism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

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Exam 21: Nineteenth-Century Realism

Millet's Gleaners combines

The figures in Manet's Déjeuner sur l'Herbe are identified as

Courbet objected to Olympia because

Which was NOT a new feature in the development of nineteenth-century skyscrapers?

Who of the following was NOT a nineteenth-century photographer?

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Romanticism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

Filters