Question 1

The Non-objective World was written by

Accepted Answer

A) Malevich. 
B) Kandinsky. 
C) Mondrian. 
D) Duchamp. 
E) Le Corbusier. 
A) Malevich. 
B) Kandinsky. 
C) Mondrian. 
D) Duchamp. 
E) Le Corbusier.

Question 2

An "orderly heap of broken violins" referred to

Accepted Answer

A) Braque's Violin and Pitcher. 
B) Davis's Lucky Strike. 
C) Picasso's Women of Avignon. 
D) Brancusi's Endless Column. 
E) Duchamp's Nude Descending a Staircase, No.2. 
A) Braque's Violin and Pitcher. 
B) Davis's Lucky Strike. 
C) Picasso's Women of Avignon. 
D) Brancusi's Endless Column. 
E) Duchamp's Nude Descending a Staircase, No.2.

Question 3

"Lines to a Lady Egg" was written about

Accepted Answer

A) Les Demoiselles d'Avignon. 
B) Mademoiselle Pogany. 
C) Gertrude Stein. 
D) the girl in Girl before the Mirror. 
A) Les Demoiselles d'Avignon. 
B) Mademoiselle Pogany. 
C) Gertrude Stein. 
D) the girl in Girl before the Mirror.

Question 4

Sheltering overhangs,low terraces,and open internal spaces are indicative of whose architectural style?

Accepted Answer

A) van Doesburg 
B) Wright 
C) Reitveld 
D) Groupius 
E) Lewis 
A) van Doesburg 
B) Wright 
C) Reitveld 
D) Groupius 
E) Lewis

Question 5

"Brancusi + Mondrian" was

Accepted Answer

A) a poem on the avant-garde. 
B) a book on art. 
C) an exhibition. 
D) a manifesto of modernism. 
A) a poem on the avant-garde. 
B) a book on art. 
C) an exhibition. 
D) a manifesto of modernism.

Question 6

1911 was the year of

Accepted Answer

A) the opening of the Museum of Modern Art in New York. 
B) the Cubist show in Paris. 
C) the first Cubist sculpture. 
D) the beginning of World War I. 
A) the opening of the Museum of Modern Art in New York. 
B) the Cubist show in Paris. 
C) the first Cubist sculpture. 
D) the beginning of World War I.

Question 7

The author of the Futurist manifesto was

Accepted Answer

A) Marinetti. 
B) Boccioni. 
C) Léger. 
D) Mondrian. 
E) Duchamp. 
A) Marinetti. 
B) Boccioni. 
C) Léger. 
D) Mondrian. 
E) Duchamp.

The Non-objective World was written by

An "orderly heap of broken violins" referred to

"Lines to a Lady Egg" was written about

Sheltering overhangs,low terraces,and open internal spaces are indicative of whose architectural style?

"Brancusi + Mondrian" was

1911 was the year of

The author of the Futurist manifesto was

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Romanticism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

Filters

Exam 25: Cubism, Futurism, and Related Twentieth-Century Styles

The Non-objective World was written by

An "orderly heap of broken violins" referred to

"Lines to a Lady Egg" was written about

Sheltering overhangs,low terraces,and open internal spaces are indicative of whose architectural style?

"Brancusi + Mondrian" was

1911 was the year of

The author of the Futurist manifesto was

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Jewish, Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

The High Renaissance in Italy

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Romanticism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Dada, Surrealism, Fantasy, and the United States Between the Wars

Mid-Century Abstraction

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Introduction

Filters