Question 1

The surface details in 16th-century Venetian painting show influence from

Accepted Answer

A)  Flanders 
B)  Naples 
C)  the International Style 
D)  Byzantium 
A)  Flanders 
B)  Naples 
C)  the International Style 
D)  Byzantium A

Question 2

Which is true?

Accepted Answer

A)  Gentile Bellini had two sons, Jacopo and Giovanni 
B)  Giovanni Bellini had two sons, Gentile and Jacopo 
C)  Jacopo Bellini was the father of Gentile, Giovanni, and Mantegna 
D)  Jacopo Bellini had two sons and one daughter 
A)  Gentile Bellini had two sons, Jacopo and Giovanni 
B)  Giovanni Bellini had two sons, Gentile and Jacopo 
C)  Jacopo Bellini was the father of Gentile, Giovanni, and Mantegna 
D)  Jacopo Bellini had two sons and one daughter D

Question 3

The Campidoglio

Accepted Answer

A)  was a piazza based on an ancient Roman space 
B)  illustrated Michelangelo's interest in urban planning 
C)  demonstrated the Popes' ambitious plans for making Rome beautiful 
D)  all of the choices are correct. 
A)  was a piazza based on an ancient Roman space 
B)  illustrated Michelangelo's interest in urban planning 
C)  demonstrated the Popes' ambitious plans for making Rome beautiful 
D)  all of the choices are correct. D

Question 4

Which is the correct chronological sequence of works by Michelangelo?

Accepted Answer

A)  Moses, the Rome Pietà, David, the Sistine Ceiling 
B)  David, the Rome Pietà, the Sistine Ceiling, Moses 
C)  the Rome Pietà, David, the Sistine Ceiling, Moses 
D)  David, Moses, Saint Peter's, the Sistine Ceiling 
A)  Moses, the Rome Pietà, David, the Sistine Ceiling 
B)  David, the Rome Pietà, the Sistine Ceiling, Moses 
C)  the Rome Pietà, David, the Sistine Ceiling, Moses 
D)  David, Moses, Saint Peter's, the Sistine Ceiling

Question 5

Who was not a Renaissance pope?

Accepted Answer

A)  Julius II 
B)  Paul III 
C)  John Paul II 
D)  Clement X 
A)  Julius II 
B)  Paul III 
C)  John Paul II 
D)  Clement X

Question 6

The High Renaissance was centered in

Accepted Answer

A)  Rome 
B)  Paris 
C)  Florence 
D)  Urbino 
A)  Rome 
B)  Paris 
C)  Florence 
D)  Urbino

Question 7

Jacopo Bellini's style is best known today from his

Accepted Answer

A)  drawings 
B)  paintings 
C)  autobiography 
D)  etchings 
E)  biography 
A)  drawings 
B)  paintings 
C)  autobiography 
D)  etchings 
E)  biography

Question 8

The vernacular refers to

Accepted Answer

A)  Italian 
B)  Latin 
C)  Greek 
D)  the Dialogues of Plato 
A)  Italian 
B)  Latin 
C)  Greek 
D)  the Dialogues of Plato

Question 9

Col Tempo refers to

Accepted Answer

A)  an Italian proverb 
B)  a book by Aretino 
C)  a painting by Giorgione 
D)  a painting by Titian 
A)  an Italian proverb 
B)  a book by Aretino 
C)  a painting by Giorgione 
D)  a painting by Titian

Question 10

Michelangelo was inspired by

Accepted Answer

A)  Leonardo da Vinci's single-minded dedication to sculpture 
B)  Classical mythology 
C)  The Neo-Platonic ideals of the Medici Circle 
D)  The rough and tumble life he found in Renaissance Rome 
E)  Classical mythology and the Neo-Platonic ideals of the Medici Circle 
A)  Leonardo da Vinci's single-minded dedication to sculpture 
B)  Classical mythology 
C)  The Neo-Platonic ideals of the Medici Circle 
D)  The rough and tumble life he found in Renaissance Rome 
E)  Classical mythology and the Neo-Platonic ideals of the Medici Circle

Question 11

Some experts say that the pyramidal style of the High Renaissance first emerges in the cartoon of __________.

Accepted Answer

A)  Raphael's Galatea 
B)  Michelangelo's Sibyls 
C)  Leonardo's Virgin and Child with Saint Anne 
D)  Masaccio's Trinity 
A)  Raphael's Galatea 
B)  Michelangelo's Sibyls 
C)  Leonardo's Virgin and Child with Saint Anne 
D)  Masaccio's Trinity

Question 12

Which best describes the stigmata?

Accepted Answer

A)  an outcast 
B)  the Flagellation 
C)  the arrows of Saint Sebastian 
D)  the wounds of Christ 
E)  a painting by Giotto 
A)  an outcast 
B)  the Flagellation 
C)  the arrows of Saint Sebastian 
D)  the wounds of Christ 
E)  a painting by Giotto

Question 13

Which is not a feature of Raphael's Betrothal of the Virgin?

Accepted Answer

A)  round arches 
B)  an angry suitor 
C)  a bearded priest 
D)  a pseudo-peripteral temple 
E)  a pediment 
A)  round arches 
B)  an angry suitor 
C)  a bearded priest 
D)  a pseudo-peripteral temple 
E)  a pediment

Question 14

Leonardo was apprenticed to

Accepted Answer

A)  Bramante 
B)  Verrocchio 
C)  Donatello 
D)  Botticelli 
E)  Raphael 
A)  Bramante 
B)  Verrocchio 
C)  Donatello 
D)  Botticelli 
E)  Raphael

Question 15

The theme of the Allegory of Prudence is

Accepted Answer

A)  the relationship of humans to animals 
B)  time 
C)  portraiture 
D)  history 
A)  the relationship of humans to animals 
B)  time 
C)  portraiture 
D)  history

Question 16

Which work matches the correct patron?

Accepted Answer

A)  Sistine Chapel Ceiling -- Sixtus IV 
B)  Tempietto -- Ferdinand and Isabella 
C)  School of Athens -- Agostino Chigi 
D)  Mehmet II -- Giovanni Bellini 
E)  Venus of Urbino -- Philip II of Spain 
A)  Sistine Chapel Ceiling -- Sixtus IV 
B)  Tempietto -- Ferdinand and Isabella 
C)  School of Athens -- Agostino Chigi 
D)  Mehmet II -- Giovanni Bellini 
E)  Venus of Urbino -- Philip II of Spain

Question 17

Which does not appear in the Sistine Ceiling frescoes?

Accepted Answer

A)  Prophets 
B)  Christ 
C)  Sibyls 
D)  Jeremiah 
E)  Adam 
A)  Prophets 
B)  Christ 
C)  Sibyls 
D)  Jeremiah 
E)  Adam

Question 18

Which is not by Leonardo?

Accepted Answer

A)  Madonna and Child with Saint Anne 
B)  Mona Lisa 
C)  Moses 
D)  Vitruvian Man 
A)  Madonna and Child with Saint Anne 
B)  Mona Lisa 
C)  Moses 
D)  Vitruvian Man

Question 19

Which was completed earliest?

Accepted Answer

A)  Raphael's School of Athens 
B)  Michelangelo's Sistine ceiling 
C)  Michelangelo's Last Judgment 
D)  Leonardo's Last Supper 
A)  Raphael's School of Athens 
B)  Michelangelo's Sistine ceiling 
C)  Michelangelo's Last Judgment 
D)  Leonardo's Last Supper

Question 20

Which are by Titian?

Accepted Answer

A)  Charles V at Mühlberg, the Rape of Europa, and Saint Francis in Ecstasy 
B)  The Tempesta, the Allegory of Prudence, and the Sleeping Venus 
C)  the Allegory of Prudence, the Venus of Urbino, and the Pesaro Madonna 
D)  The Tempesta, the Rape of Europa, and the Venus of Urbino 
A)  Charles V at Mühlberg, the Rape of Europa, and Saint Francis in Ecstasy 
B)  The Tempesta, the Allegory of Prudence, and the Sleeping Venus 
C)  the Allegory of Prudence, the Venus of Urbino, and the Pesaro Madonna 
D)  The Tempesta, the Rape of Europa, and the Venus of Urbino

Exam 14: The High Renaissance in Italy

The surface details in 16th-century Venetian painting show influence from

Which is true?

The Campidoglio

Which is the correct chronological sequence of works by Michelangelo?

Who was not a Renaissance pope?

The High Renaissance was centered in

Jacopo Bellini's style is best known today from his

The vernacular refers to

Col Tempo refers to

Michelangelo was inspired by

Some experts say that the pyramidal style of the High Renaissance first emerges in the cartoon of __________.

Which best describes the stigmata?

Which is not a feature of Raphael's Betrothal of the Virgin?

Leonardo was apprenticed to

The theme of the Allegory of Prudence is

Which work matches the correct patron?

Which does not appear in the Sistine Ceiling frescoes?

Which is not by Leonardo?

Which was completed earliest?

Which are by Titian?

The Art of Prehistory

The Ancient Near East

Ancient Egypt

The Aegean

The Art of Ancient Greece

The Art of the Etruscans

Ancient Rome

Early Christian and Byzantine Art

The Early Middle Ages

Romanesque Art

Gothic Art

Precursors of the Renaissance

The Early Renaissance

Mannerism and the Later Sixteenth Century in Italy

Sixteenth-Century Painting in Northern Europe

The Baroque Style in Western Europe

Rococo and the Eighteenth Century

Neoclassicism: The Late Eighteenth and Early Nineteenth Centuries

Romanticism: The Late Eighteenth and Early Nineteenth Centuries

Nineteenth-Century Realism

Nineteenth-Century Impressionism

Post-Impressionism and the Late Nineteenth Century

Turn of the Century: Early Picasso, Fauvism, Expressionism, and Matisse

Cubism, Futurism, and Related Twentieth-Century Styles

Dada, Surrealism, Fantasy, and The United States Between the Wars

Abstract Expressionism

Pop Art, OP Art, Minimalism, and Conceptualism

Innovation, Continuity, and Globalization

Filters

The surface details in 16^th-century Venetian painting show influence from