Exam 5: Romanticism and Realism

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The British Houses of Parliament in London are a model of the __________ style.

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Trace the role of photography in the development of Realism.

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Johann Wolfgang von Goethe's The Sorrows of Young Werther is his contribution to the Sturm und Drang movement that espoused Enlightenment objectivity, rationality, and restraint.

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Giuseppe Verdi was Italy's most important Romantic composer.

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__________wrote Walden in 1854 because he believed that living close to nature was humankind's strength.

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Francisco Goya's __________ style was employed to chronicle of France's war with Spain.

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John Constable was an English landscape painter whose work conveyed a sense of "the enduring attachment to place so fundamental to rural life."

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List as many interests of the Romantics as possible and provide examples of each from art, music, or literature.

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The novel __________ by Robert Louis Stevenson embodies the conflict between the classical mind and the new Romantic mind.

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St.Augustine's Confessions is to the honor and glory of God as Rousseau's Confessions is to the honor and glory of __________.

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Goethe's play, Faust, has been described as a defining work of __________.

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Karl Marx and Friedrich Engels were two proponents of the factory system.

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Kant called the two basic substances, "those that we receive through impressions, and those that our faculty of knowledge supplies from itself" __________ respectively.

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Beethoven's Symphony No.6 ("The Pastoral") is an example of __________.

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Berlioz is to the orchestra as Chopin is to the __________.

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The Lied was a type of art song set to an accompaniment that suited the tone, mood, and details of a(n) __________.

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Both Goya's The Third of May and Théodore Géricault's Raft of the Medusa could be said to express the theme of __________.

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Realist art portrays the lives of __________ people.

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How are Ingres' Odalisque and Eakins' The Swimming Hole models of Romanticism and Realism in visual art respectively?

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Gertrude Käsebier worked in the photographic style of Pictorialism in which the image's surface is somewhat indistinct with softened lines.

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