Exam 7: Cinema

In filmmaking when the main object of interest stays clear while the remainder of the scene blurs of focus.

A filmmaking technique in which natural or outdoor lighting is used and the camera is hand-held,while the film appears unsteady.

An editing technique in cinema that includes a rapid succession of images or a compression or elongation of time.

Fictional film that tells a story.

In film,this person serves the function of converting the mise-en-scene from three-dimensional to two-dimensional space.

A filmmaking technique that alters between two separate actions related by theme,mood,or plot to create suspense.

A classification of film that attempts to record actuality using primarily either a sociological or a journalistic approach.

Film that tells no story but exists solely as movement or form and rarely exceeds twelve minutes in length.

The basic unit of filmmaking that the camera records over time.

According to Louis Giannetti,this term refers to the voyeuristic aspect of cinema.

Explain the filmmaking technique of crosscutting.

In filmmaking,a single shot of an entire piece of action,taken to facilitate the assembly of the film in the editing process.

A filmmaking method to draw attention in which the actors look or talk into the camera.

Sergei M.Eisenstein's film Battleship Potemkin is one of the most influential films ever made due in part because it added this new dimension to film language:

In film,this term refers to how the visual materials are staged,framed,and photographed.

The viewpoint in filmmaking in which the scene unfolds as if the audience were actually participating in it.

In filmmaking,a form of optical transition in which an invisible line moves across the screen,eliminating one shot and revealing the next.

In filmmaking,the camera rotates horizontally while keeping it fixed vertically.

What is persistence of vision?

In filmmaking,a transition device where a scene fades out into black and the next scene fades in.