Exam 4: Music
Exam 1: Foundations of Audio for Image13 Questions
Exam 2: Sound Design Theory13 Questions
Exam 3: Dialog10 Questions
Exam 4: Music15 Questions
Exam 5: Sound Effects SFX10 Questions
Exam 6: Sound Editing9 Questions
Exam 7: Tools and Techniques7 Questions
Exam 8: The Production Path New10 Questions
Exam 9: The Mix and Layback10 Questions
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A filmmaker can use any recording on their film as long as the music contained is in public domain.
Free
(True/False)
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Correct Answer:
False
One of the best ways to search a production music library is through the use of emotional terms.
Free
(True/False)
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Correct Answer:
True
The scoring session is a recording session specifically for recording film cues.
Free
(True/False)
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Correct Answer:
True
When dealing with copy-protected music, the synchronization license is the first and most critical license to obtain.
(True/False)
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The music cues developed for temp tracks do not have to be cleared for copyright unless they become a permanent part of the score.
(True/False)
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Which of the following is not a licensing type for production music libraries?
(Multiple Choice)
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This person is responsible for obtaining legal clearance on copy-protected music.
(Multiple Choice)
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This person is responsible for insuring synchronization of individual cues.
(Multiple Choice)
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Which of the following is the most efficient means of communicating to a composer the specific music required for a film.
(Multiple Choice)
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The spotting session is the point in the production where the music editor cuts or spots individual cues to picture.
(True/False)
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Pre-score is the session where the composer and director meet to decide where cues will be placed in the film.
(True/False)
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It is legal for a student animator to use copy-protected music on their films that screen outside the classroom.
(True/False)
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