Question 1

Most movies are linear; they are designed to be viewed from beginning to end

Accepted Answer

A)  in the comfort of home. 
B)  in real time. 
C)  without pauses. 
D)  more than once. 
A)  in the comfort of home. 
B)  in real time. 
C)  without pauses. 
D)  more than once. B

Question 2

Live-on-tape programming is recorded live

Accepted Answer

A)  then edited heavily, shots reordered and trimmed for time. 
B)  always in front of a live studio audience. 
C)  and then replayed later in the same time it took to record. 
D)  none of the above. 
A)  then edited heavily, shots reordered and trimmed for time. 
B)  always in front of a live studio audience. 
C)  and then replayed later in the same time it took to record. 
D)  none of the above. C

Question 3

A sequence of still photos can tell a story.

Accepted Answer

A) True 
 B)False  True

Question 4

A sequence of film or video can refer to a

Accepted Answer

A)  a series of shots. 
B)  a single shot. 
C)  both a and b. 
D)  none of the above. 
A)  a series of shots. 
B)  a single shot. 
C)  both a and b. 
D)  none of the above.

Question 5

Users are often able to control the experience when interacting with digital media. When this happens the experience is said to be

Accepted Answer

A)  self-directed. 
B)  confusing. 
C)  nonlinear. 
D)  linear. 
A)  self-directed. 
B)  confusing. 
C)  nonlinear. 
D)  linear.

Question 6

A series is the bundling of individual songs or photos.

Accepted Answer

A) True 
 B)False

Question 7

The following are true statements about the interplay of sequence and duration, except

Accepted Answer

A)  still photos give makers control over sequence, but not duration. 
B)  the format of a CD gives producers control over duration, but users choose the sequence. 
C)  a movie gives makers control over sequence, but not duration. 
D)  none of the above. 
A)  still photos give makers control over sequence, but not duration. 
B)  the format of a CD gives producers control over duration, but users choose the sequence. 
C)  a movie gives makers control over sequence, but not duration. 
D)  none of the above.

Question 8

Henri Cartier-Bresson described his photographs as capturing

Accepted Answer

A)  shock and awe. 
B)  the decisive moment. 
C)  the essence of the thing. 
D)  angst. 
A)  shock and awe. 
B)  the decisive moment. 
C)  the essence of the thing. 
D)  angst.

Question 9

The illusion of real time

Accepted Answer

A)  refers to the fact that a scene that appears to be five minutes in the life of a character could have taken a day to film. 
B)  means that a show is recorded and played back later. 
C)  is when a scene edits out the boring day-to-day transitions the characters would experience in real life. 
D)  none of the above. 
A)  refers to the fact that a scene that appears to be five minutes in the life of a character could have taken a day to film. 
B)  means that a show is recorded and played back later. 
C)  is when a scene edits out the boring day-to-day transitions the characters would experience in real life. 
D)  none of the above.

Most movies are linear; they are designed to be viewed from beginning to end

Live-on-tape programming is recorded live

A sequence of still photos can tell a story.

A sequence of film or video can refer to a

Users are often able to control the experience when interacting with digital media. When this happens the experience is said to be

A series is the bundling of individual songs or photos.

The following are true statements about the interplay of sequence and duration, except

Henri Cartier-Bresson described his photographs as capturing

The illusion of real time

Content and Preproduction

Composing the Frame

Reproducing the Frame

Depth and Movement in the Frame

Light

Sound

Sound and Image

The Theory of Linear Structure

The Price of Linear Structure

Nonlinear Structure

Approaches to Production, Exhibition, and Distribution

Filters

Exam 8: Time

Most movies are linear; they are designed to be viewed from beginning to end

Live-on-tape programming is recorded live

A sequence of still photos can tell a story.

A sequence of film or video can refer to a

Users are often able to control the experience when interacting with digital media. When this happens the experience is said to be

A series is the bundling of individual songs or photos.

The following are true statements about the interplay of sequence and duration, except

Henri Cartier-Bresson described his photographs as capturing

The illusion of real time

Content and Preproduction

Composing the Frame

Reproducing the Frame

Depth and Movement in the Frame

Light

Sound

Sound and Image

The Theory of Linear Structure

The Price of Linear Structure

Nonlinear Structure

Approaches to Production, Exhibition, and Distribution

Filters