Exam 10: Baroque Europe
Exam 1: Prehistory and the First Civilizations60 Questions
Exam 2: Ancient Greece100 Questions
Exam 3: The Roman Empire69 Questions
Exam 4: Early Christianity and Byzantium56 Questions
Exam 5: The Islamic World54 Questions
Exam 6: Early Medieval and Romanesque Europe61 Questions
Exam 7: Gothic and Late Medieval Europe65 Questions
Exam 8: The Early Renaissance in Europe72 Questions
Exam 9: High Renaissance and Mannerism in Europe78 Questions
Exam 10: Baroque Europe76 Questions
Exam 11: Rococo to Neoclassicism in Europe and America53 Questions
Exam 12: Romanticism, Realism, and Photography, 1800 to 187056 Questions
Exam 13: Impressionism, Post-Impressionism, and Symbolism, 1870 to 190060 Questions
Exam 14: Modernism in Europe and America, 1900 to 194582 Questions
Exam 15: Modernism and Postmodernism in Europe and America, 1945 to 198058 Questions
Exam 16: Contemporary Art Worldwide54 Questions
Exam 17: South and Southeast Asia55 Questions
Exam 18: China and Korea61 Questions
Exam 19: Japan63 Questions
Exam 20: Native Americas and Oceania79 Questions
Exam 21: Africa55 Questions
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The construction of Saint Peter's began in the 16th century and continued into the 17th century. Which features were constructed in the Baroque age? How did the new building elements conform to existing principles or depart from them? Which elements strengthened the preeminence of the Catholic Church?
(Essay)
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How is Carlo Maderno's facade for Saint Peter's representative of the basic design principles of the early Baroque in architecture?
(Essay)
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How did Bernini's piazza design incorporate existing features and compensate for some of the visual qualities of Saint Peter's?
(Essay)
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What different influences do the features of the facade and dome reflect?
(Essay)
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Carlo Maderno departed from Bramante's and Michelangelo's designs for Saint Peter's by _____.
(Multiple Choice)
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In the use of commonplace figures and dark settings, Diego Velázquez displayed _____ influence.
(Multiple Choice)
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The artist Nicolas Poussin established _____ as the leading approach to art in France.
(Multiple Choice)
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_____ was the greatest architectural project of the age and a symbol of Louis XIV's power.
(Multiple Choice)
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Use four examples to explain how 17th-century artists addressed themselves and the status of their art.
(Essay)
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Scholars use the term Baroque to describe new stylistic characteristics that emerged in 17th-century Italian art. What are these characteristics? Please provide examples of artworks where these new characteristics are evident.
(Essay)
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Attribute the images on the screen to a culture and give an approximate date. Give the reasons for your attributions, using complete sentences and referring to specific works discussed in class.
Suggested images, not in the text:
(Essay)
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A major international conflict during the 17th century was the _____.
(Multiple Choice)
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The primary patrons of the Spanish artist Francisco de Zurbarán were _____.
(Multiple Choice)
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The Dutch artist _____ produced lively portraits for middle-class patrons that avoided traditional formulas.
(Multiple Choice)
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The artist _____ helped disseminate Caravaggio's style throughout Italy.
(Multiple Choice)
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How did Rembrandt portray himself? What concerns are addressed?
(Short Answer)
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