Exam 14: Modernism in Europe and America, 1900 to 1945
Exam 1: Prehistory and the First Civilizations60 Questions
Exam 2: Ancient Greece100 Questions
Exam 3: The Roman Empire69 Questions
Exam 4: Early Christianity and Byzantium56 Questions
Exam 5: The Islamic World54 Questions
Exam 6: Early Medieval and Romanesque Europe61 Questions
Exam 7: Gothic and Late Medieval Europe65 Questions
Exam 8: The Early Renaissance in Europe72 Questions
Exam 9: High Renaissance and Mannerism in Europe78 Questions
Exam 10: Baroque Europe76 Questions
Exam 11: Rococo to Neoclassicism in Europe and America53 Questions
Exam 12: Romanticism, Realism, and Photography, 1800 to 187056 Questions
Exam 13: Impressionism, Post-Impressionism, and Symbolism, 1870 to 190060 Questions
Exam 14: Modernism in Europe and America, 1900 to 194582 Questions
Exam 15: Modernism and Postmodernism in Europe and America, 1945 to 198058 Questions
Exam 16: Contemporary Art Worldwide54 Questions
Exam 17: South and Southeast Asia55 Questions
Exam 18: China and Korea61 Questions
Exam 19: Japan63 Questions
Exam 20: Native Americas and Oceania79 Questions
Exam 21: Africa55 Questions
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_____ is the type of Surrealism that consists largely of abstract shapes.
(Multiple Choice)
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Embraced by the artist Mìro, _____ was the creation of art without conscious control.
(Multiple Choice)
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Championed by Duchamp _____ were mass-produced objects selected by the artist.
(Multiple Choice)
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Many of the movements discussed in this chapter were motivated by a specific political or social agenda. Please identify those movements and explore how the art reflected the political or social agenda that inspired them.
(Essay)
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Cubism dismissed the centuries-old Western belief that art had to _____.
(Multiple Choice)
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Although Dada artists did not share a particular style, they generally embraced _____.
(Multiple Choice)
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_____ promoted the avant-garde in the United States in his Gallery 291.
(Multiple Choice)
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The Purists thought that _____ should influence artistic design.
(Multiple Choice)
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In which work did Picasso introduce a new manner of representing form in space?
(Multiple Choice)
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Citing examples, describe how artists addressed issues of race or ethnicity in their art. Despite the growing interest in abstraction, several artists' styles were still firmly rooted in naturalism. Providing examples, identify the artists who continued to paint naturalistically, and then describe the hallmarks of their brand of naturalism.
(Essay)
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