Exam 9: Sound
Exam 1: Looking at Movies75 Questions
Exam 2: Principles of Film Form75 Questions
Exam 3: Types of Movies75 Questions
Exam 4: Elements of Narrative75 Questions
Exam 5: Mise-En-Scène72 Questions
Exam 6: Cinematography77 Questions
Exam 7: Acting75 Questions
Exam 8: Editing75 Questions
Exam 9: Sound75 Questions
Exam 10: Film History76 Questions
Exam 11: How the Movies Are Made79 Questions
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Explain why Orson Welles is considered to be the first sound designer in American film history.
(Essay)
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What do the heavy, hard piano chords, insistent drums, and the chanting of monks, which accompany the funeral procession in The Tragedy of Othello: The Moor of Venice (1952), suggest?
(Multiple Choice)
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Which of the following is an assistant to the production sound mixer?
(Multiple Choice)
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How does the sound in the beginning of War of the Worlds (2005) shape the audience's expectations?
(Multiple Choice)
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The group responsible for the sound in movies is called the
(Multiple Choice)
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How does the grand operatic music used in the "Helicopter Attack" scene in Apocalypse Now (1979) help to reveal Lieutenant Colonel Kilgore's character?
(Multiple Choice)
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Which of the following is a responsibility of a sound designer?
(Multiple Choice)
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What is the effect of hearing nondiegetic orchestral score music as we see David cross the dance floor in search of a potential partner in The Lobster (2015)?
(Multiple Choice)
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With regard to sound, what is the crucial difference between sound and silent films?
(Multiple Choice)
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What unique challenges did The Hours (2002) create for Philip Glass, its musical composer, and how did he solve them?
(Essay)
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In the opening sequence of The Shining (1980), the electronic music, which does not emanate from an on-screen location, is
(Multiple Choice)
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Explain the effect of Alfred Hitchcock and Bernard Herrmann's use of sound effects in The Birds (1963).
(Essay)
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Tomlinson Holman said, "Sound design is the art of getting the right sound in the right place at the right time." Explain this statement.
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Whenever we hear what we assume are the thoughts of a character within a scene, either as random thoughts or as a sustained monologue, this is known as
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